Here's another experimental sketch I worked on this week. I had a bunch of interesting green elements leftover from a number of previous projects. I thought I would just try something a little different, for me -- more abstract than surreal or narrative. I really like the different greens together. And I always like a slash of contrast (the red, in this case). Interestingly, when I got into my office the following day, I was struck by the similarity between my sketch and the cover of the textbook I use for my statistics class (I will provide the name of the cover art artist as a edit to this post). I had no intention of trying to emulate the cover of my stats book with the sketch. And I am not even convince that it influenced me explicitly. But maybe deep-down in my subconscious, the image influenced my sketch. Or perhaps, it was a "great minds think alike" kind of a thing (although I would consider it more of a "artists think alike" phenomenon). It does raise an interesting issue regarding the influence of a lifetime of exposure to visual stimuli. Do all of these experiences get "stored" somewhere in memory? Do all of these experiences have the potential to influence artistic exploration and production? I think that perhaps more likely, is that the total accumulation of life sensorial experiences help shape our potential to create new, integrative, synthetic compositions/images. This "coincidence" I found particularly noteworthy.
Sunday, September 22, 2024
Saturday, September 21, 2024
new sketch
I have been working on finishing-up some sketches (i.e., completing the composition) and on some new sketches. Here's a new one from last night. The saturated colors in this vintage artwork of a motor I find quite compelling. I think the sculptural elements fits well (I need to do more micro-cutting, of course). What I am "struggling with", at this point, is what to do with the textual part of the background element. If I leave it as it is, I think the balance of the overall composition will need some work (i.e., adding other small elements)... I think. I was also contemplating leaving the overall composition a bit "unbalanced" to create interest/tension (i.e., "does a composition always need to be 'balance'"?). I could also obscure the writing/text with another element. The element shown here is certainly too big; it is just an example. Of course, that creates its own balance issues for the overall composition. I will continue to enjoy experimenting with elements and the overall composition, and of course, will eventually post the finished piece.
Shadow and light
At one point while I was working on sketches in the studio last night, I noticed a weird effect within my shadow. This has GOT to be one of the weirdest photos I have ever taken! It's a "selfie" of my shadow. BUT... it is disrupted by the light that refracted through the lens of my glasses. This image is "raw"; that is, there is no manipulation. Weird.