collections

As most collagists are keenly aware, collecting is part of the medium of collage. Rummaging through vintage bookstores, perusing what is going up for bidding at auctions, and dickering at a garage sales are all part of the fountain of fun in which we partake as collage artists. I probably have enough material in my studio to do quality collages for 10 years. But I am SO looking forward to hunting for more elements when the pandemic settles down (even though I really don't need any more)! I consider these activities as part of the mosaic of our medium. Over the years, in addition to collecting elements for collage compositions, I have collected a myriad of frames. When I can get them cheap, I get them. One of my problems, however, is that when I create a collage of which I am particularly fond, I want to "treat it" accordingly -- which typically means having a special frame made for the piece (which means $$). So recently, I have been trying to use some of the frames in the collection of frames I have accumulated over the years. Last Friday evening, I experimented with this Roccoco-style frame. Interestingly, I am really liking the minimalist color palette produced by the vintage patina of these elements. I would consider these "sketches" at this point; but they are something worth pursuing perhaps.

"Warning of the Invasion to Come"

 I'm happy with how this piece turned out and with the mat and frame "treatment". I think this is another installment of my ill-defined "Invasion" series (which started back in 2009). Interestingly, the rose-colored star in the stellar background element adds so much to the balance and integration of this piece. The star was already there (i.e., I didn't place it there), but needed to be strategically placed to make the important contribution it has. It really pays off to pay attention to the fine detail like that. It would look good without the rosey star; but with it, the composition is enhanced.

Lost soul?

 I've probably posted something like this before, but I think it might be worth doing again. One of my favorite things about collage as an artistic medium, is that if affords not only visual explorations, but "psychological exploration" as well. I came across this element last night while I was looking for collage material. At first, I saw it only for its visual qualities (i.e., cursive handwriting on yellow patina). But upon closer inspection, I realized how intense the "message" was. I have no idea who wrote this or from where I got it (probably the PA auction that I like to frequent). It's so strange to think that this very personal writing is now
in my studio being considered for inclusion into one of my collages. Lots to contemplate when I'm listening to music, enjoying a beverage and creating in the evenings.

A day in the LIFE

Here are the two final pieces from the project that Toeny Morgan and I just completed. We each had a copy of the October 6, 1965 issue of LIFE magazine from which to choose the elements to create these collages. We did not share any intermediate ideas. So much potential from each of the vintage magazines that all of we collagists hold in our hands each day. Wishing you all, many creative moments this year!

NEW YEAR!

 Happy New Year everyone! This year has GOT to be better than 2020!

I'm kind of excited tonight, and so I'm also feeling impulsive (i.e., perhaps I shouldn'tpost this image quite yet). I have been struggling with a collaborative project I am participating in with my good friend and fellow collagist Anthony Morgan. We have decided to each make a collage from elements obtained from a single issue of LIFE magazine (i.e., Oct. 8th, 1965: we each have a copy of that issue). I was initially not enthralled with the imagery in the issue, AND, I kinda of lost track of the coated elements I had made from the issue. The project hibernated for quite a while. But recently, and with Toeny's prodding, we resurrected the project (and he sent me another copy of the issue). I actually DID use some of the elements in other collages I have done (you may recognize one of them from previous posts). Anyway, I FINALLY took the time tonight to explore and experiment with the images again
. And I am excited to say that I think this sketch is going to be close to the finished product (not sure I will retain the bright lettering, though... it will say "if" eventually, if so). I really like the palette and how there is flow to the piece. I am a little bit concerned about the sharp vertical line created by the border of the turquoise and white patina. BUT, I think it is okay as a collage component. Would love to hear what others think (but take time to look at it).